Saturday

Bachelor of Arts Honours in Design 2015 - The Purpose of Research

A personal narrative

“Greater in battle than the man who would conquer a thousand-thousand men, is he who would conquer just one —himself.” ― Siddhārtha Gautama Buddha
The journey of understanding myself as a man in the 21st century with the freedoms I and others take for granted, without attempting to understand those that have gone before and the sacrifices they have made is one of the greatest misfortunes. Coming from a generation where “mentorship” for lack of a better word does not exist and with most of the knowledge of gay history being written from a Eurocentic or American perspective. Being LGBT, there is no central repository of knowledge that one can call on to gain understanding of LGBT history that by enlarge has been outside of the heteronormative gaze. Being considered the deviant or fugitive as LGBT goes against the heteronorm and thus could not find acceptance. A full documented ancient history is therefore impossible. Queer theory is complicated to delineate, but its main concern is to combat against heteronormativity. Though homosexualism is widely accepted in society today there is still a lack of understanding.

Purpose statement
Welcome to Reon Davids precious metal weaving page.

The purpose of this research is to establish the relevance and current knowledge of past signs and symbols used during WWII to persecute homosexuals (1933-1945) in Nazi Germany, there is not only the pink triangle which was used as a sign to shame homosexuals. The intention is to claim other signs and symbols as cipher of pride much as the inverted pink triangle was claimed by the gay community. “For a gay ‘language’ to evolve, a community would normally need to be isolated from society for a lengthy period of time” (Cage 1999:22). The purpose here is not to establish a new language but to use symbols of the past in a new way of visual communication by the wearer of the jewellery to be created. Allowing the viewer insight into wearer’s possible preferences for example as displayed in figure 2.
Creating this range of jewellery that incorporates an assortment of symbols that speaks a language of its own, aimed at the gay market. While remaining mindful of the stigma attached to such symbols as in Figure 1 which is a table of coloured classification symbols for prisoners in concentration camps during WWII.

This is by no means a way to keep LGBT people closeted but finding another way of expression. Lomas, McNeill and Gray (cited by Steele 2013:23) states that, “…gay and lesbians have evolved not only coded clothing practises by which they might recognize others with a similar sexual orientation or interest, but also a nuanced vocabulary for reading dress.” Lomas, McNeill and Gray does not appear in the course list, only Steele. Jewellery with symbols subtly imbedded into them that only is understood by the wearer and others of their persuasion.





Figure 1
Table of colored classification symbols
for prisoners in concentration camps
during WWII
Figure 2
Showing how wearing pieces of jewellery and clothing strategically could carry meaning.
 ( Lord & Meyer 2013:27)






Stonewall in riots


http://www.gaystarnews.com/article/174443/#gs.YGEevDQ

Tuesday

Bachelor of Technology 2014 - The Purpose of Research

Welcome to the Reon David's: Precious Metal Weaving Page.



The purpose of this online research forum is to launch a South African brand by incorporating Zulu basket weaving techniques into jewellery, thereby creating a product that not only speaks to Zulu identity, but that could in future be identifiable to all South Africans. I also wish to generate a platform in the jewellery contexts for the African Renaissance often spoken of but not yet seen as it relates to the fields of design in jewellery. In conjunction with the branding of a jewellery range, I have researched identity of the Zulu people. According to Statistics South Africa the highest urban population is currently living in Gauteng Province, notwithstanding the corridor of Pietermaritzburg and Durban.

Wedding basket by Mary Sibaya


The search for identity had also brought home my own search as a person classified 'coloured' (meaning of mixed descent) in South Africa. It is interesting to note that my maternal family is aware of our German, English and Indian heritage but omits to comment on our black heritage. This is by no means an exception though, it is a norm in the mixed race community in my opinion. 
Great, great grandmother-maternal

German great grandmother-maternal
(Mother in law to my grandmother)
'Coloured' grandmother-maternal (from St Helena Island)

Great Uncle on his wedding day marrying
my Great Aunt. My mother is named after her as she was born 
3 months after this picture was taken.
                                                                        


My father is of Indian descent but because my grandfather lost his parents young I have no connection or images of the family. He also died while my father was a young child.